When players in a production aren't just acting out death but are really dying - as in Bill T. Jones's "Still/Here" - is it really art? The author discusses the critic's options in regard to reviewing what she terms "victim art".
Author
Croce, Arlene.
Title
A critic at bay : discussing the undiscussable.
Found in:
New Yorker. Dec. 26, 1994-Jan. 2, 1995, p. 54-56, 58-60.