Interview with Antony Tudor
- Title
- Interview with Antony Tudor, 1973.
- Published by
- 1973
- Author
Items in the library and off-site
Displaying all 2 items
Status | Vol/date | Format | Access | Call number | Item location |
---|---|---|---|---|---|
Status Available by appointment at Performing Arts Research Collections - Dance. | Vol/datedisc 2 | FormatAudio | AccessUse in library | Call number*MGZTL 4-1711 disc 2 | Item locationPerforming Arts Research Collections - Dance |
Status Available by appointment at Performing Arts Research Collections - Dance. | Vol/datedisc 1 | FormatAudio | AccessUse in library | Call number*MGZTL 4-1711 disc 1 | Item locationPerforming Arts Research Collections - Dance |
Details
- Additional authors
- Description
- 2 sound discs (approximately one hour and four minutes): digital; 4 3/4 in.
- Summary
- Disc 1 (approximately 32 minutes). [Begins abruptly.] Antony Tudor speaks with David Raher about Tudor's work Cross-gartered; his work Romeo and Juliet including his choice of [Frederick] Delius's music; his work Lysistrata [;or The strike of wives]; briefly, his work Shadowplay; his work Pillar of fire [at this point, approximately 19 minutes into the recording, the sound quality deteriorates significantly]; his thoughts on Martha Graham and her work; his work Shadow of the wind; adapting plays for ballet plots.
- Disc 2 (approximately 32 minutes). [The sound quality of this disc is very poor.] Antony Tudor and David Raher continue to speak about using a play as the basis for a ballet plot with reference to Frederick Ashton's works; the choreographer's responsibility to the audience; more on ballets based on plays including by Frederico Garcia Lorca; Robert Helpmann's Hamlet; [Leonide] Massine's use of plays as source material; José Limón's A moor's pavane; Benesh system of dance notation.
- Donor/Sponsor
- Gift of David Raher
- Subject
- Call number
- *MGZTL 4-1711
- Note
- The sound quality ranges from fair (on disc 1, for the first 19 minutes) to very poor (the rest of disc 1 and all of disc 2) . There is a continual extraneous hiss, which increases in volume at approximately 19 minutes into disc 1 with the result that, from this point on, the speakers' voices are very difficult to understand if intelligible at all.
- Interview with Antony Tudor conducted by David Raher in August, 1973 in Brooklyn, New York.
- Funding (note)
- The conservation and cataloging of this recording was made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.
- Author
- Tudor, Antony, 1909-1987, interviewee.
- Title
- Interview with Antony Tudor, 1973.
- Production
- 1973
- Type of content
- spoken word
- Type of medium
- audio
- Type of carrier
- audio disc
- Event
- Recorded by David Raher 1973 New York (New York)
- Funding
- The conservation and cataloging of this recording was made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.
- Original version
- Original format: one sound cassette (approximately one hour and four minutes); 1 7/8 ips. originally recorded in 1973; transferred to wav file and compact disc formats in 2013.
- Local note
- Former classmark: *MGZTC 3-1711
- Local subject
- Drama and dance
- Added author
- Raher, David, interviewer.
- Raher, David, donor
- Research call number
- *MGZTL 4-1711