Essay on performative art describing three performances: Nigel Kennedy, solo violin, who used his body as part of his performance of a Bach sonata with the Berlin Philharmonia; John Tavener's The fool at Queen Elizabeth Hall in London, 2000, directed by Lucy Bailey; and the opera by Heinz Werner Henze, Boulevard solitude, performed at the Royal Opera House in London, with movement direction by Denni Sayers. Also discusses how the audiences were engaged by physical, aural and visual elements.
Bibliography (note)
Includes bibliographical references (p.31).
Author
Preston-Dunlop, Valerie.
Title
Embodiment and border crossing in performative productions.
Bibliography
Includes bibliographical references (p.31).
Found in:
Dance theatre journal. London. v. 17, no. 3 (2001), p. 28-31. ill.