Modernism's masculine subjects : Matisse, the New York School, and post-painterly abstraction

Title
  1. Modernism's masculine subjects : Matisse, the New York School, and post-painterly abstraction / Marcia Brennan.
Published by
  1. Cambridge, Mass. : MIT Press, c2004.
Author
  1. Brennan, Marcia.

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Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person.

FormatTextAccessUse in libraryCall numberJQZ 12-1124Item locationSchwarzman Building - Art and Architecture Room 300

Details

Description
  1. xi, 213 p. : ill.; 24 cm.
Subject
  1. Modernism (Art)
  2. Formalism (Art)
  3. New York school of art
  4. Gender identity in art
Contents
  1. A "straight theory" of bourgeois pleasure in later modernist painting -- Still lifes and centerfolds : the negation of the feminine in Greenberg's reading of Matisse -- Fragmented bodies and canonical nudes : painting and reading de Kooning's Woman series -- Pollock and Krasner : touching and transcending the boundaries of abstract expressionism -- How formalism lost its body but kept its gender : Frankenthaler, Louis, and Noland in the sixties.
Call number
  1. JQZ 12-1124
Bibliography (note)
  1. Includes bibliographical references (p. [194]-205) and index.
Author
  1. Brennan, Marcia.
Title
  1. Modernism's masculine subjects : Matisse, the New York School, and post-painterly abstraction / Marcia Brennan.
Imprint
  1. Cambridge, Mass. : MIT Press, c2004.
Bibliography
  1. Includes bibliographical references (p. [194]-205) and index.
LCCN
  1. 2004044957
ISBN
  1. 026202571X (alk. paper)
Research call number
  1. JQZ 12-1124
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