Interview with Robert Scevers
- Title
- Interview with Robert Scevers [sound recording].
- Published by
- 1979.
- Author
Items in the library and off-site
Displaying 1 item
Status | Format | Access | Call number | Item location |
---|---|---|---|---|
Status Available by appointment at Performing Arts Research Collections - Dance. | FormatAudio | AccessUse in library | Call number*MGZTL 4-2316 disc | Item locationPerforming Arts Research Collections - Dance |
Details
- Additional authors
- Description
- 1 sound disc (ca. 38 min.) : digital; 4 3/4 in.
- Summary
- [Begins abruptly.] Robert Scevers speaks about first meeting Rebekah Harkness; working with Harkness, at Watch Hill (R.I.) and in France; performing at the White House with the Harkness Ballet; the Harkness Youth Company, including Patricia Neary's relationship with the Company; leaving the Company and moving to Chicago; working with Neary in Berlin and Geneva; working with Nikita Talin at SMU [Southern Methodist University] and as artistic director of the Beaumont Civic Ballet; Talin's and Scever's returning to work with Harkness to reinvigorate the Harkness Ballet School; Scever's work with Raymond [Wilson?] for Harkness to create a body of music for ballet classes, including music composed by Harkness; reasons for Harkness's difficulties with artists she employed and with the press in New York; David Howard and his relationship with Harkness; Donald Saddler's ballet Cindy [discussion of speakers' location, which seems to be outside of Harkness's house at Sneden's Landing, in New York State; ends abruptly].
- Donor/Sponsor
- Oral History Archive.
- New York State Council on the Arts, 2000-2001.
- Subject
- Call number
- *MGZTL 4-2316
- Note
- Interview with Robert Scevers conducted on Jan. 3, 1979 by Reynaldo G. Alejandro. A second man, addressed as Raymond [Raymond Wilson?], who appears to be a composer and pianist associated with the Harkness Ballet, also participates in the interview. The interview seems to have been conducted in a moving car, en route from New York City to Rebekah Harkness's house in New York State.
- The sound quality is severely marred by extraneous noise, but for the most part, the speakers are easily audible.
- Funding (note)
- Preservation was funded in part with public funds from the New York State Council on the Arts, 2000-2001.
- Author
- Scevers, Robert. Interviewee
- Title
- Interview with Robert Scevers [sound recording].
- Imprint
- 1979.
- Funding
- Preservation was funded in part with public funds from the New York State Council on the Arts, 2000-2001.
- Local note
- Archive original: *MGZTCO 2-2316 (microcassette)
- Preservation master: *MGZTP 4-2316
- Dubbing master: *MGZTD 4-2316
- Local subject
- Audiotapes -- Scevers, R.
- Ballet music.
- Added author
- Alejandro, Reynaldo G. Interviewer
- Research call number
- *MGZTL 4-2316 [sound disc]