Interview with Jane Dudley
- Title
- Interview with Jane Dudley [sound recording].
- Published by
- 1972.
- Author
Items in the library and off-site
Displaying all 3 items
Status | Vol/date | Format | Access | Call number | Item location |
---|---|---|---|---|---|
Status Available by appointment at Performing Arts Research Collections - Dance | Vol/datepart 3 | FormatAudio | AccessNo restrictions | Call number*MGZTL 4-2528 part 3 | Item locationPerforming Arts Research Collections - Dance |
Status Available by appointment at Performing Arts Research Collections - Dance | Vol/datepart 2 | FormatAudio | AccessNo restrictions | Call number*MGZTL 4-2528 part 2 | Item locationPerforming Arts Research Collections - Dance |
Status Available by appointment at Performing Arts Research Collections - Dance | Vol/datepart 1 | FormatAudio | AccessNo restrictions | Call number*MGZTL 4-2528 part 1 | Item locationPerforming Arts Research Collections - Dance |
Details
- Additional authors
- Description
- 5 sound discs (ca. 180 min.) : digital, stereo; 4 3/4 in.
- Summary
- Part 1, disc 1 (ca. 31 min.). Jane Dudley speaks with Don McDonagh about Bethsabee de Rothschild's patronage of Martha Graham's company; an anecdote about an antique electric shaver owned by de Rothschild and trying to replace a tiny part instead of buying a new one; de Rothschild's personality; teaching in Israel, and the beauty of the country; meeting the Israeli Graham dancers and noticing a bitterness in the dancers; Robin Howard's dance company in London; revival of Letter to the world; Graham's work in Clytemnestra, and other dances; Graham's need to strip down art in contrast to the training she received through Denishawn; the intensity and assemblage of the body in Graham's technique.
- Part 1, disc 2 (ca. 31 min.). Jane Dudley speaks with Don McDonagh about Martha Graham's dances, and the ones that made lasting impressions on her, including Heretic, Lamentation, Revolt, and Celebration; Graham's two creative periods, one including men, and the other consisting entirely of women; Graham's floor techniques and inventiveness; her concern for critics who write about Graham's earlier pieces, but have never seen them; Graham's sense of movement; attending Bennington in 1935.
- Part 2, disc 1 (ca. 31 min.) Jane Dudley speaks with Don McDonagh about working with Hanya Holm; Graham's practice classes, and the effect they had on her; group and solo dances in Graham's company; the use of taller and shorter girls within the company; rehearsing with Louis Horst; Graham's mercilessness in rehearsals; Graham's ability to express truth of movement and teach that expression to her students; Graham 's belief that dance was the transition from one point to another, not the points; her opinion of Erick Hawkins, and his role in the company; Graham's touring schedule; the success of the tour arranged by Frances Hawkins; working in Israel and London, and the differences between the two countries; the interest in Graham's work in many countries.
- Part 2, disc 2 (ca. 31 min.). Jane Dudley speaks with Don McDonagh about Martha Graham's influence on modern dance; Graham's desire to cut through ballet training in student dancers; Graham's launch of the company in Israel and London; the difference between Israeli and English dancers; Louis Horst's teaching methods and influence on the dancers; Graham's dogs.
- Part 3 (ca. 55 min.). Jane Dudley speaks with Don McDonagh about touring with Martha Graham in Cuba, and learning about Pearl Harbor; dancing with Merce Cunningham; touring with the Graham company by train; the dancers who were unable to tour due to family obligations; Graham's age; Ruth St. Denis's opinion of Graham; stories that Graham would tell repeatedly, including an anecdote relating dancers to onions; Graham's discussions of kundalini yoga; studying at Bennington, including the fact that students could not bring their husbands, were not allowed to be in the sun, and were not allowed to wear slacks; Graham's reliance on Louis Horst, and Horst's influence on her; Graham's teaching methods, and describing movement as working like a boomerang; Graham's ability to bring out the best in dancers; Graham's teaching methods; sewing costumes and being responsible for ironing and maintaining them; working with Sophie Maslow in Israel; Maslow's use of Jewish-based dances; tap dancing and the difficulty in encouraging audiences when dances are considered ethnic [abrupt end].
- Subject
- Call number
- *MGZTL 4-2528
- Note
- Interview with Jane Dudley conducted by Don McDonagh on March 23, 1972.
- Each disc ends abruptly.
- Funding (note)
- Recording was preserved through a grant from the Doris Duke Charitable Foundation.
- Source (note)
- Don McDonagh;
- Author
- Dudley, Jane. Interviewee
- Title
- Interview with Jane Dudley [sound recording].
- Imprint
- 1972.
- Funding
- Recording was preserved through a grant from the Doris Duke Charitable Foundation.
- Local note
- Archive orig. : *MGZTCO 3-2528, nos. 1-3
- Dubbing master : *MGZTD 4-2528, nos. 1-5
- Source
- Gift; Don McDonagh; 2007
- Local subject
- Dance company tours.
- Added author
- McDonagh, Don. Interviewer
- Doris Duke Charitable Foundation.
- Research call number
- *MGZTL 4-2528 sound disc