I. Songs with music probably used in the original productions: Full fathom five thy father lies --Where the bee sucks, there suck -- O mistress mine where are you roaming? -- The poor soul sat sighing -- It was a lover and his lass. II. Popular dance types referred to in the plays: Sellengers round -- Scottish jigge -- Hoboken brawl -- Staines Morris 2.
III. Traditional and speculative matchings of song texts in the plays with popular tunes dating back to Shakespeare: How should I your true love know -- Tommorrow is St. Valentine's Day --And will he not come again -- In youth when I did love -- The Woosell cock so black of hue -- O sweet Oliver -- When daffodils begin to peer -- Jog on, jog on the footpath way -- When that I was and a little tine.
IV. Divisions on a ground: English dances based on chord sequences from Italy: Kemp's jig -- Passamezzo pavan -- Bergamasca -- QM [Qneen Mary's] dumpe. V. Original versions of songs & ballads used or mentiuoned in thew plays: As you came from that holy land -- I loathe that I did love -- Bonny sweet Robin -- Come live with me -- There dwelt a man in Babylon -- Farewell dear love -- Fortune my foe.
VI. Dances for the gentry and upper classes: The Earl of Essex measure -- La volta -- The Sinkapace Galliard -- Coranto. VII. Songs with music probably dating from early revivals of the plays: Take, O take those lips away --Sigh no more, ladies -- Hark, hark the lark --Lawn as white as driven snow -- Get ye hence -- When that I was and a little tiny boy.
Note
Timings of individual pieces and the plays in which they were used on container and in booklet.
Source of description (note)
Description based on hard copy version record.
Author
Broadside Band.
Title
Songs & dances from Shakespeare [electronic resource] / Deborah Roberts, John Potter, the Broadside Band.