Research Catalog

Details

Description

1. ix, 166 pages : illustrations; 22 cm.

Series statement

1. Visionaries: thinking through female filmmakers

Uniform title

1. Visionaries (Edinburgh University Press)

Subject

1. Hansen-Løve, Mia, 1981-
2. Motion picture producers and directors > France
3. Families in motion pictures
4. Vulnerability (Personality trait) in motion pictures
5. Love in motion pictures
6. Coming-of-age films > History and criticism
7. Coming-of-age films
8. Motion picture producers and directors
9. France

Genre/Form

1. Criticism, interpretation, etc.

Contents

1. Hansen-Love as actor and critic -- Becoming an auteur -- Transnational authorship in contemporary France -- The book -- 1. Fracture Familiale -- Liquid love and the twenty-first-century family -- Fracture familiale and film form in All Is Forgiven and Father of My Children -- Fractures of time and place in Things to Come and Maya -- Liquid society, precariousness, ethics and film -- Conclusion: girlhood and the ethics of fracture familiale -- 2. Vulnerable People -- Fragile life in All Is Forgiven -- Risk, denial and failure in Father of My Children -- Failing fatherhood and postmodern French masculinities -- Life crises in Eden and Goodbye First Love -- Recovery time in Maya -- Reconfiguring male domination -- Vulnerabilisation of the subject -- 3. Adversity And Resilience: The Post-Secular Ethic Of Vocation -- Camille's architectural recovery -- Paul Vallée's (re)turn to literature -- Nathalie Chazeaux's philosophical resilience -- Gabriel Dahan, war reporter -- Conclusion -- 4. Candid Camera, Or An Aesthetic Of Transcendence -- P̀alpitations of life' -- Pastoral beauty in France and India in All Is Forgiven, Goodbye First Love, Things to Come and Maya -- A transcendental style for the twenty-first century? -- Candid camera -- 5. Lost In Music -- Music in Hansen-Løve's films -- Conclusion -- 6. The Rivers Of Time -- De-spatialising time: Bergsonian duree and Deleuze's time-image -- Flow, movement and time in Goodbye First Love and Father of My Children -- Time tunnels in Goodbye First Love and Maya -- From narrative to phenomenological realism -- Moments in time -- Conclusion: the ethics of durée.

Call number

1. MWES (Hansen-Love, M.) 21-2037

Bibliography (note)

1. Includes bibliographical references (pages 154-160), filmography (pages 161-162) and index.

Author

1. Ince, Kate, author.

Title

1. The cinema of Mia Hansen-Løve : candour and vulnerability / Kate Ince.

Publisher

1. Edinburgh : Edinburgh University Press, [2021]

Type of content

1. text
2. still image

Type of medium

1. unmediated

Type of carrier

1. volume

Series

1. Visionaries: thinking through female filmmakers
2. Visionaries (Edinburgh University Press)

Bibliography

1. Includes bibliographical references (pages 154-160), filmography (pages 161-162) and index.

ISBN

1. 9781474447676 paperback
2. 1474447678 paperback
3. 9781474462471 hardcover
4. 1474462472 hardcover

Research call number

1. MWES (Hansen-Love, M.) 21-2037