Blk art : the audacious legacy of Black artists and models in Western art

Title
  1. Blk art : the audacious legacy of Black artists and models in Western art / Zaria Ware.
Published by
  1. New York, NY : Harper Design, an imprint of HarperCollinsPublishers, 2023.
  2. ©2023
Author
  1. Ware, Zaria

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StatusFormatTextAccessUse in libraryCall numberN8217.B535 W37 2023Item locationOff-site

Details

Description
  1. 222 pages : illustrations (chiefly color), portraits; 27 cm
Summary
  1. "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It's clear that modern day museums can no longer exist without change--and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris--this is Black history like never seen before."--
Alternative title
  1. Black art : the audacious legacy of Black artists and models in Western art
  2. Audacious legacy of Black artists and models in Western art
Subject
  1. Black people in art
  2. Artists, Black
  3. African Americans in art
  4. African American artists
  5. Art, Black
  6. African American art
  7. Art, Modern > Themes, motives
  8. Art noir américain
  9. Artistes noir américains
  10. Noirs américains dans l'art
  11. Art noir
  12. Artistes noirs
  13. Personnes noires dans l'art
  14. Artistes noirs américains
  15. ART / European
  16. ART / History / Modern (late 19th Century to 1945)
  17. ART / Popular Culture
  18. SOCIAL SCIENCE / Black Studies (Global)
  19. ART / American / African American & Black
  20. African American art
  21. African American artists
  22. African Americans in art
  23. Art, Black
  24. Art, Modern > Themes, motives
  25. Artists, Black
  26. Black people in art
Genre/Form
  1. Art criticism
  2. Illustrated works
  3. Art criticism.
  4. Illustrated works.
  5. Critiques d'art.
  6. Ouvrages illustrés.
Contents
  1. Introduction -- Part 1. The Models : Looking Behind The Dystopian Curtain -- Holier Than Thou-est -- Case Study: It's All Greek To Me -- Scandal! Murder! Intrigue! Bridgerton! Oh My! -- Case Study: Black England -- Where Art Thou Waldo? -- Amsterdam? Amsterdam -- Case Study: What Goes Around Keeps Going -- Ne Touche Pas À Mes Cheveux (Don't Touch My Hair) -- Case Study: Seriously, Don't Touch It -- Turbans, Orientalism, And Pumpkin-Spiced Lattes -- Faces -- Part 2. -- The Artists : Before The Harlem Renaissance -- Robert Seldon Duncanson (c. 1821-1872) : The House Painter Turned Master Artist -- Edward Mitchell Bannister (1828-1901) : The Art Prodigy Turned National Award Winner -- Edmonia Lewis (c. 1844-1907) : The Self-Taught Sculptor Turned Celebrity -- Henry Ossawa Tanner (1859-1937) : The Young Dreamer Turned BLK ART Icon -- But Wait, There's More? -- A Final Note.
Owning institution
  1. Columbia University Libraries
Bibliography (note)
  1. Includes bibliographical references (pages 211-215) and index.