Research Catalog

Sonntags-Abschied ; 5 Taktspuren simultan

Title
  1. Sonntags-Abschied ; 5 Taktspuren simultan / Stockhausen.
Published by
  1. Kürten [Germany] : Stockhausen, [2005], ℗2005.
Author
  1. Stockhausen, Karlheinz, 1928-2007.

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FormatAudioAccessUse in libraryCall numberCD13213Item locationOff-site

Details

Additional authors
  1. Maes, Marc (Keyboard player)
  2. Gutschmidt, Frank
  3. Rosso, Fabrizio
  4. Kobler, Benjamin
  5. Pérez Abellán, Antonio, 1969-
Description
  1. 1 audio disc : digital; 4 3/4 in.
Series statement
  1. Gesamtausgabe = Complete edition / Stockhausen ; 74
  2. Stockhausen, Karlheinz, 1928-2007. Works. 1991 ; 74.
Uniform title
  1. Licht. Sonntag. Hoch-Zeiten. Sonntags-Abschied
Alternative title
  1. Licht. Sonntag. Hoch-Zeiten. Sonntags-Abschied
Subject
  1. Synthesizer ensembles
  2. Electronic music
  3. Operas > Excerpts
Contents
  1. Sonntags-Abschied : 2001/03 : elektronische Musik (5 Synthesizer) = Sunday farewell : electronic music (5 synthesizers) (35:00) -- 5 Taktspuren simultan : für Sonntags-Abschied = 5 simultaneous click-tracks : for Sunday farewell (34:30).
Owning institution
  1. Columbia University Libraries
Note
  1. Intended for performance in the theatre lobby following the fifth of the 5 scenes of the opera Sonntag (from the cycle, Licht), Sonntags-Abschied is a version for 5 synthesizers of Hochzeiten für Chor, from the score for Scene 5. Performances of both Hoch-Zeiten für Chor and Sonntags-Abschied are synchronized by the same set of 5 click-tracks plus a sixth track with page-number announcements; the click-tracks (=Taktspuren) are presented on this recording in a stereo mix.
  2. Title from booklet.
  3. Compact disc.
  4. Booklet (20 p. : col. ill., music), with notes by the composer in German and English, inserted.
Event (note)
  1. "Following the world première of Sonntags-Abschied in 2004, the synthesizer sounds were electronically stored as 5 x 2 separate tracks, synchronized with 5 click-tracks. These were then mixed down in 2005 by Stockhausen, assisted by Kathinka Pasveer and Antonio Pérez Abellàn, at the Sound Studio N in Cologne, together with Günter Kasper (sound engineer) . . . It is possible that other realisations of the score will be made"--Booklet, p. 13.