Nine songs from Rosseter's "Book of ayres"

Title
  1. Nine songs from Rosseter's "Book of ayres" [sound recording] / Thomas Campion. Two songs / John Dowland. Four little short songs / Thomas Morley.
Published by
  1. [Germany] : Archive Production, History of Music Division of the Deutsche Grammophon Gesellschaft, [1955]
Author
  1. Campion, Thomas, 1567-1620.

Items in the library and off-site

Filter by

Displaying 1 item

StatusFormatAccessCall numberItem location
StatusFormatAudioAccessUse in libraryCall numberR 002359 LPItem locationOff-site

Details

Additional authors
  1. Dowland, John, 1563?-1626.
  2. Morley, Thomas, 1557-1603?
  3. Soames, René, 1903-
  4. Gerwig, Walter.
  5. Koch, Johannes.
Description
  1. 1 sound disc : analog, 33 1/3 rpm; 12 in.
Series statement
  1. Archive production, 4th research period: The high Renaissance. Ser. M: The Elizabethan age.
Uniform title
  1. Airs. Selections
  2. Ayres. Selections.
  3. Archive production, 4th research period, ser. M.
Alternative title
  1. Airs.
  2. Songs from Rosseter's "Book of ayres."
  3. Two songs.
  4. Songs from the "Second book of songs or ayres."
  5. Four little short songs.
  6. Little short songs from the "First book of ayres."
Subject
  1. Madrigals, English
  2. Songs (High voice) with instrumental ensemble
  3. Chansons (Voix aiguë) acc. d'ensemble instrumental
Genre/Form
  1. Madrigals (Music)
Contents
  1. Side 1: My sweetest Lesbia.--Though you are young.--I care not for these ladies.--Follow thy fair sun.--My love hath vowed.--When to her lute Corinna sings.--Turn back, you wanton flyer.--It fell on a summer's day.--Follow your saint / Thomas Campion. Side 2: I saw my lady weep ; Flow my tears (Lachrymae) / John Dowland. It was a lover and his lass ; Mistress mine, well may you fare ; Can I forget what reason's force ; Fair in a morn / Thomas Morley.
Owning institution
  1. Princeton University Library
Note
  1. Publisher's no. : Archive Production ARC 3004.
  2. Biographical notes on container.
Event (note)
  1. Recorded Nov. 29-30, 1952, in the Beethoven-Saal, Hanover.