Overheard voices : address and subjectivity in postmodern American poetry
- Title
- Overheard voices : address and subjectivity in postmodern American poetry / Ann Keniston.
- Published by
- New York : Routledge, 2006.
- Author
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Status | Format | Access | Call number | Item location |
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Status | FormatText | AccessUse in library | Call numberPS310.P63 K46 2006 | Item locationOff-site |
Details
- Description
- xi, 171 pages; 24 cm.
- Series statement
- Literary criticism and cultural theory
- Uniform title
- Literary criticism and cultural theory.
- Subject
- Plath, Sylvia
- Merrill, James, 1926-1995
- Glück, Louise, 1943-2023
- Bidart, Frank, 1939-
- Bidart, Frank 1939-
- Merrill, James Ingram 1926-1995
- Plath, Sylvia 1932-1963
- Plath, Sylvia > Criticism and interpretation
- Merrill, James, 1926-1995 > Criticism and interpretation
- Glück, Louise, 1943- > Criticism and interpretation
- Bidart, Frank, 1939- > Criticism and interpretation
- Plath, Sylvia, (1932-1963)
- Merrill, James Ingram, (1926-1995)
- Glück, Louise, (1943- ...)
- Bidart, Frank, (1939- ...)
- Merrill, James Ingram
- Bidart, Frank
- Desire (Bidart, Frank)
- Mirabell, books of number (Merrill, James)
- 1900-1999
- American poetry > 20th century > History and criticism
- Postmodernism (Literature) > United States
- Subjectivity in literature
- American poetry
- Postmodernism (Literature)
- Subjectivité > Dans la littérature
- United States
- Genre/Form
- Criticism, interpretation, etc.
- Contents
- Introduction: "The fluidity of damaged form" : theorizing postmodern address -- Recovering you : Sylvia Plath's Ariel -- Ghostly projections : James Merrill's The changing light at Sandover -- Buried with the romantics : Louise Gluck's The wild iris -- Homo faber : Frank Bidart's Desire -- Conclusion: "A dream of this room" : self-effacement and lyric space.
- Owning institution
- Princeton University Library
- Bibliography (note)
- Includes bibliographical references (p. 157-164) and index.