Overheard voices : address and subjectivity in postmodern American poetry

Title
  1. Overheard voices : address and subjectivity in postmodern American poetry / Ann Keniston.
Published by
  1. New York : Routledge, 2006.
Author
  1. Keniston, Ann, 1961-

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StatusFormatTextAccessUse in libraryCall numberPS310.P63 K46 2006Item locationOff-site

Details

Description
  1. xi, 171 pages; 24 cm.
Series statement
  1. Literary criticism and cultural theory
Uniform title
  1. Literary criticism and cultural theory.
Subject
  1. Plath, Sylvia
  2. Merrill, James, 1926-1995
  3. Glück, Louise, 1943-2023
  4. Bidart, Frank, 1939-
  5. Bidart, Frank 1939-
  6. Merrill, James Ingram 1926-1995
  7. Plath, Sylvia 1932-1963
  8. Plath, Sylvia > Criticism and interpretation
  9. Merrill, James, 1926-1995 > Criticism and interpretation
  10. Glück, Louise, 1943- > Criticism and interpretation
  11. Bidart, Frank, 1939- > Criticism and interpretation
  12. Plath, Sylvia, (1932-1963)
  13. Merrill, James Ingram, (1926-1995)
  14. Glück, Louise, (1943- ...)
  15. Bidart, Frank, (1939- ...)
  16. Merrill, James Ingram
  17. Bidart, Frank
  18. Desire (Bidart, Frank)
  19. Mirabell, books of number (Merrill, James)
  20. 1900-1999
  21. American poetry > 20th century > History and criticism
  22. Postmodernism (Literature) > United States
  23. Subjectivity in literature
  24. American poetry
  25. Postmodernism (Literature)
  26. Subjectivité > Dans la littérature
  27. United States
Genre/Form
  1. Criticism, interpretation, etc.
Contents
  1. Introduction: "The fluidity of damaged form" : theorizing postmodern address -- Recovering you : Sylvia Plath's Ariel -- Ghostly projections : James Merrill's The changing light at Sandover -- Buried with the romantics : Louise Gluck's The wild iris -- Homo faber : Frank Bidart's Desire -- Conclusion: "A dream of this room" : self-effacement and lyric space.
Owning institution
  1. Princeton University Library
Bibliography (note)
  1. Includes bibliographical references (p. 157-164) and index.