Temptation of St. Anthony
This spectacular image depicts Saint Anthony, a 4th-century Coptic hermit, beset by a fiercely agitated band of monstrous demons. A pioneer in the art of engraving, Martin Schongauer employs a wide range of inventive burin marks—incised on the plate with the engraver’s tool—to animate the composition and articulate the bizarre creatures’ combination of scales, spines, fur, feathers, talons, and teeth. By focusing on the isolated central action described in 4th-century theologian Athanasius’s account of the saint, Schongauer’s image functions as an icon. The image transcends the details of its origin story to represent a more commonly shared human experience—that of being overwhelmed by troubles of any and every sort.
: The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Print Co…
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Items in The Visual World
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Milt Hinton’s photograph of Billie Holiday in the studio
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Martin Schongauer’s Temptation of St. Anthony
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Plate from Veelderlij Veranderighe van grotissen ende Compertimenten
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Repertorio di una compagnia della commedia dell’arte
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Costume design by Daniel Rabel for Ballet de Psyché
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Costume design by Daniel Rabel for Ballet des nymphes bocagères de la forest sacrée
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